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The Move Handbill

from Feb 20, 1969 - Feb 23, 1969

 - BG161-HB

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Poster Art Q & A

Description

Positive and negative spaces competed in the lettering of Greg Irons' scream-personified poster for The Move, Cold Blood and Albert King at the Fillmore West. The advent of Irons, and contemporary artist Lee Conklin on the poster scene, made the work of earlier artists Wes Wilson and Bonnie MacLean seem positively tame by comparison.

The handbill was only printed once before the concert. It displays a calendar of upcoming Bill Graham events on the reverse and measures 4 5/8" x 7".

There were also some pre-concert double-sized mailers printed that were conjoined with the BG160 image. They measure 7" x 9 3/8".

Concert promoters created handbill versions of many of their posters and used them as sidewalk handouts and dashboard fliers to promote upcoming shows. Many of the handbills are double-sided, with poster art on one side and a calendar of upcoming shows on the other. These handbills represent an important element of rock concert history because they were hands-on marketing tools that united promoter and patron.

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