Keith Richards Fine Art Print
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Keith Richards Fine Art Print

$1,500
$1,500
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  • 11x14 Matted, Numbered & Signed by Photographer $800 $800 $0
  • 16x20 Matted, Numbered & Signed by Photographer $1,000 $1,000 $0
  • 20x24 Matted, Numbered & Signed by Photographer $1,500 $1,500 $0
Item Number:
  • OCS780726-02-FP
TOUR/SHOW:
  • Day on the Green #4
PHOTOGRAPHER:
DATE:
  • Jul 26, 1978

11x14 Matted, Signed & Numbered are from a limited edition of 150.

16x20 Matted, Signed & Numbered are from a limited edition of 150.

20x24 Matted, Signed & Numbered are from a limited edition of 75.

"If I hadn't done it, someone else would have. …once we were going to do it, we wanted to do it right. …"

By the early 70's rock bands were burned out from the road. Performers wanted to travel less and make money faster.

Bill Graham's Day on the Green concerts were the first prototypes of "festival" shows - multi performer sets in stadium settings. Staged on the lawn of the Oakland Coliseum, the Day on the Green concerts were a summer series started in 1973 that continued until shortly after Graham's death in 1991.

"That was why I came up with the name "Day on the Green". I wanted to make these events special. I wanted to create giant outdoor sets so the bands would be going into a space that was like a theater piece."

About Baron Wolman

Settling in Haight-Ashbury in the 60's, Wolman was surrounded by Janis and the Grateful Dead in close-by digs. Wolman was soon accompanying journalist Jann Wenner to the now famous and genre-defining Mills College conference on rock music. Wenner happened to be the founder of Rolling Stone magazine. He liked Wolman's style, offered him a job and Wolman launched as the first official document-er of the new psychedelic age. Beginning with the magazine's opening issue, Wolman's photographs were windows on the parade of the different, the delightful and the doomed, and his pictures became the gold standard by which rock photography would be measured.