All images on this site are copyrighted.
Photographic prints sold through Wolfgang's Vault are intended for private use only. Your purchase of photographic print(s) does not convey any rights with respect to the copyright of the image. Reproduction, publishing, posting, broadcasting, transmitting or distribution of any purchased photographic print(s), in any commercial or editorial manner, is strictly prohibited.
What are the different categories of photographs that I see on your site?
There are four categories of photography here at the Vault:
- Fine Art Prints are the highest quality photographic prints in the Vault, primarily Silver Gelatin, C-Print and Digital Prints (photographs), created with painstaking attention to detail and the craft of printing.
- Bill Graham Archive PrintsThe Bill Graham Archive is composed of two primary sources. The first contains very special prints of original concert photographs taken by BGP staff photographers at shows from the early 1970s to today. The second source is Bill Graham's personal collection of original vintage prints by some of the great photographers of the '60s, '70s and '80s.
- Premium Vintage Printsare from featured photographers Baron Wolman, Michael Zagaris, Gene Anthony and Joe Sia. Many of these photographs were printed within a year of the original negative.
- Promo Prints were part of the press kits handed out to the media as advance advertising for concert tours and record releases.
What are the different print types I see on your site?
There are many different ways to produce a photograph by using different papers, inks and production methods. Our prints are all one of the following:
- Silver Gelatin, also referred to on the site as "SG", prints are more commonly known as black and white prints. The term is derived from the gelatin emulsion in the photographic paper, which contains light-sensitive silver salts that react to light exposure. Silver Gelatin photographic papers are available in a wide range of tones and surfaces, from fibre-based to resin coated.
- C-Print (Chromogenic prints) are standard color prints made from color negatives. The term chromogenic is from the Greek and means color-forming. C-prints are called color-coupler prints, which refers to the chemistry of the process in which colored dyes are coupled with light-silver compounds.
- Cibachrome is a standard color print made from a color slide. The term Cibachrome refers to the trademarked photographic paper Cibachrome as well as the process of making prints with such paper. Cibachromes can generally be distinguished from C-prints on the basis of the ultra-glossy, almost mirror-like reflective quality of the paper and a standard black, rather than white, border. Cibachromes are also distinguished by the especially vivid colors of these prints, which are due to the Azo dyes in the emulsion layers of the cibachrome paper. Cibachrome is a registered trademark of Ilford Photo Corp. Ilford has now renamed the process "Ilfochrome".
- BG Archive Prints are high-end photographic prints created with a Polielettronica Laser Lab 76 printer on Fuji Crystal Archive Super Type C Paper. The archival stability for these photos is rated over 100 years in ideal conditions.
- Lightjet prints represent the evolution of photographic processes, combining digital resolution and sensitivity with traditional chemical processes to produce a superior archival photograph. Lightjet prints are created using digital negatives and a laser lightsource to expose photosensitive paper. Lightjet Prints have a tremendous dynamic range and color saturation, and have received very good archival ratings from the Wilhelm Institute.
- RC Prints, which is short for Resin-Coated prints, are color or black and white photographs printed on a photographic paper that has been coated with polyethylene on both sides. All color photographic papers are printed on RC Paper, and Black and White prints can be printed on either RC or fiber-based paper.
- Dye Transfer Print. Once considered the most archival and valuable of color photographic prints, the dye transfer print has a richness of color, depth and fidelity superior to other color photographic processes. Unfortunately, this particular process was also very expensive and labor intensive, and, as a result, the pioneering producer, Kodak, ceased production of all dye transfer print materials in 1994.
- Reproduction. A reproduction is produced using offset printing on glossy, non-photographic paper. The process is used often for pieces that are mass-produced in large quantities and is not a "photograph" in the classic sense of an image printed by an enlarger on silver gelatin emulsion paper.
How are the Concert Photos produced?
Producing a fine art, high quality, archival photographic print requires the same level of skill, experience, and specialized equipment needed for traditional darkroom printing. We use a very reputable printer in San Francisco to print our color photos. Using a Polielettronica Laser Lab 76 printer made in Italy, the photos are printed on genuine photographic paper (Fuji Crystal Archive Super Type C Paper), which utilizes a traditional chemical process. Our Concert Photos are truly beautiful photographic prints, featuring great life expectancy with color that is rich and continuous in tone. The archival stability is rated over 100 years in ideal conditions.
Our archival ratings are based on research provided by the Wilhelm Research Institute.
Where does The Vault get its Concert Photos?
This exceptional collection of rock concert photos was created by a group of staff photographers working under contract for Bill Graham Presents. As owner of the BGP Archives, we own all rights to these images, some of which extend from the 1970s. You can be certain that a Concert Photo with our stated production specifications will never be available from anyone else at any other time.
How long will it take for my print to arrive?
The Silver Gelatin and color photographs in our Fine Art and Concert Photos collections represent the gold standards of photographic reproduction, and require a high degree of printmaking skill using archival quality paper and inks. This careful attention to detail allows us to provide a premium work of fine art. Please allow 10 days to ship after your order is placed.
All Vintage Prints and Promo Prints are already in stock, and will ship within three business days of when your order is placed.
Where does The Vault get its Vintage Prints?
Our Vintage Prints date from 1990 or earlier, and many of them were produced within one year of the original negative. Each print in The Vault is a slice-of-life view of the rock concert phenomenon taken by legendary photographers like Gene Anthony, Michael Zagaris, Baron Wolman and Herb Greene who did more than document the era, they lived it. The subtle signs of aging in some of these prints only add to their veracity. The slight yellowing of a Silver Gelatin print and almost imperceptible loss of true color in color prints are the gentle patina born of age that help make these in-concert shots, portraits and backstage candids of early rockers and their milieu so outstanding.
Tell me more about your Promo Prints
Promo prints are mass-produced photographs of the band or artist that are included in press kits provided to the media. Also called 'publicity stills,' some of these pictures may be familar to aficionados who remember them from magazines or advertising appearing around the time of specific record releases. Many, however, are never-before-seen shots that will thrill the true fan. The Promo Prints in the Vault's collection hail from the 60s through the new century and are truly exceptional portraits of contemporary performers and legends.
Do you license images from the Concert Photos collection for other uses?
We license the use of our Concert Photos originals to television, film and other agencies for advertising or other purposes. Please Contact Us for more information about this new opportunity.
If I'd like a photograph of an artist that I don't see listed in the Concert Photos, is it possible you might have one that is not yet online?
The Concert Photos available at this time are those that we considered to be the very best of the entire collection. Please let us know via the Contact Us page if your favorite artist is not represented. We will consider all requests as we add Concert Photos in the future.
Are there other sizes available for Concert Photo and Fine Art prints?
At this time Concert Photos are only available in two sizes, 11"x14" and 16"x20". If there is sufficient demand for additional sizes, we will make new sizes available.
How should I care for my photograph from The Vault?
It's best to frame your print with a glass or plexiglass protective covering. There are UV-filtered frames available which further protect your print from fading. It's also a good idea to keep your print out of harsh or direct sunlight.
Description
This shot was taken during a sound check at the Monterey Pop Festival, 1967. Hendrix was playing to an empty arena - or, more accurately, to himself. I was one of the official photographers and, for some reason, everyone was at dinner except for Al Kooper, Jimi's band and crew, and some other stagehands. I approached Jimi and told him that my name was Jim Marshall - that I was one of the photographers. He made some comment like, "Far out, man, maybe this shit is supposed to be," and I asked him what he meant. He said that the dude who made his amps was named Jim Marshall, and smart-ass me says, "Yeah, I know that." But then he said, "What you don't know is that my middle name is Marshall." We were all pretty stoned (the amp Marshall wasn't there), but there were three Marshalls onstage at once. - Jim Marshall
Both the photographic print and the matte are signed by the photographer, Jim Marshall.
This photograph is copyright Jim Marshall.
Two years before Woodstock, over 200,000 hipsters gathered in Monterey, California for a three day celebration of music that embodied the themes of the new counter-culture and became the template for all future music festivals.
Record producer and band manager Lou Adler, along with John Phillips [Mamas & the Papas], produced Monterey Pop on the site known for the long-running Monterey Jazz and Folk Festivals. In the spirit of "Music, Love and Flowers", just about all the artists performed for free, and all money went to charity.
Thirty-two bands played - stars like The Mamas and the Papas, Simon & Garfunkel and The Byrds shared billing with groundbreaking new acts, showcasing the first major American appearances by Jimi Hendrix and The Who, as well as the first major public performances of Janis Joplin, Otis Redding, Laura Nyro, Steve Miller and Indian sitar maestro Ravi Shankar.
Hendrix, taking cue from Pete Townshend's guitar-smashing, capped his Monterey performance in a firestorm, making hearts sing as he set his still wailing guitar on fire and taunted for more flame during his riveting rendition of "Wild Thing".
As reflected by music writer Rusty DeSoto, "Monterey Pop was a seminal event: it was the first real rock festival ever held, featuring debut performances of bands that would shape the history of rock and affect popular culture from that day forward."
The festival was later hailed as a triumph of organization and cooperation and was subject of an acclaimed documentary by noted documentary filmmaker D.A. Pennebaker.
The people came and listened
Some of them came and played
Others gave flowers away, yes they did
Down in Monterey
Down in Monterey
Young Gods smiled upon the crowd
Their music being born of love
Children danced night and day
Religion was being born
Down in Monterey
The birds and the airplane did fly
Oh, Ravi Shankar's music made me cry
The Who exploded into fire and light
Hugh Masakela's music was black as night.
The Grateful Dead blew everybody's mind
Jimi Hendrix baby, believe me, set the world on fire, yeah
His Majesty, Prince Jones, smiled as he moved among the crowd
Ten thousand electric guitars were groovin' real loud, yeah
You wanna find the truth in life
Don't pass music by
And you know I would not lie, no I would not lie,
No, I would not lie
Down in Monterey
Three days of understanding
of moving with one another
Even the cops grooved with us
Do you believe me, yeah?
Down in Monterey
I think that maybe I'm dreaming
Monterey
Down in Monterey
Did you hear what I said?
Eric Burdon and the Animals
All orders are shipped from our facilities in San Francisco via United Parcel Service (UPS) or United States Postal Service (USPS, International orders only). With UPS we offer online tracking of your order while it is in transit to you. Our shipping costs for this service include insurance for the full value of your purchase. USPS shipments are uninsured and cannot be tracked.
All orders placed on this site are subject to product availability. Please allow seven days for our photographic prints to ship (these products are produced to order and require a high degree of printmaking skill and attention to detail). All other items are shipped within three business days of when your order is placed. We do not ship on Saturdays, Sundays or national holidays. All shipping delivery times are in addition to this order processing time.
If your order is going to be delayed due to out-of-stock items, weather conditions or any other factors, you will be notified by email within 48 hours of your order being placed. You will be given an approximate ship date at that time and will have the option of canceling your order, or retaining the order with its new ship date.
Depending on your location and the shipping service you selected, your order will take from one to ten days to be delivered once it has shipped.
Shipping costs are calculated by our website checkout pages after you enter your Ship To address. In the case of the USA and Canada, a zip or postal code is required before shipping options can be calculated. Your order is placed only after you have had a chance to review the information entered, including shipping costs.
Free UPS Ground shipping is offered on all domestic orders over $50. To qualify for free shipping, you must select the desired free service in the checkout process.
We take great care to ensure that your order is carefully packaged so that it arrives in the same mint condition in which it left our facilities.
Most historic series posters are of a size to fit in flats. Posters shipped in flats are surrounded by 2 chipboard inserts. Oversized pieces require tubes and we ship in tubes with a .187 wall – the thickest tube used for such shipping. All photographic prints are shipped in highest quality heavy-duty reinforced cardboard flats. If you have ordered more than one printed item, the items will be packaged together and separated by high quality interleave paper to prevent scratching.
Please see the HELP section of the website for more Purchase, Return and Exchange information.
