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James TaylorJames Taylor's mellow tones have been affirming and reassuring audiences since the late 1960s. Managing to turn his early fame into sustained success, Taylor's songs evolved into musical reminders, wake-up calls and wry observations that transcend pe...more James Taylor's mellow tones have been affirming and reassuring audiences since the late 1960s. Managing to turn his early fame into sustained success, Taylor's songs evolved into musical reminders, wake-up calls and wry observations that transcend personal setbacks and tap into universal themes. Beginning with Sweet Baby James in 1970, most of Taylor's albums over the last four decades have gone gold or platinum, and his appeal as a touring artist packs houses. His 1976 Greatest Hits collection has sold more than 10 million copies. Following his monumentally popular albums Sweet Baby Jamesand Mud Slide Slim and the Blue Horizon, James Taylor delivered the lackluster follow-up One Man Dog in November 1972. He and Carly Simon were married that year, and though they would divorce 11 years later, they would collaborate on a number of tracks, including a duet of the 1963 hit by Inez and Charlie Foxx, "Mockingbird," for Carly Simon's 1974 album, Hotcakes. 1974's Walking Man and 1975's Gorilla both showcased his more electric side, with the latter spawning two hits; "Mexico" and his cover of Marvin Gaye's classic, "How Sweet It Is." His popularity never lulled as he continued through the late '70s, a time after which he became less focused on regularly releasing albums and more upon touring, playing to a dedicated fanbase. Taylor took part in the "No Nukes" concerts of 1979 and the same-named triple-LP. His insistent road schedule after 1981's Dad Loves His Work would be punctuated by releases every few years, including original songs, covers, and holiday-themed records. In 1993, he released his first stateside live album, Live, reflecting his considerable abilities as a live performer. Onstage, with his signature guitar play and understated singing breaking over the audience, Taylor could be Everyman... if every man had a vision, a voice, and volumes to say....less
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James Taylor
Jul 20, 1969
Handbill
$55
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James Taylor
Jul 20, 1969
Program
$85
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James Taylor
Jul 20, 1969
Program
$165
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James Taylor
Jul 20, 1969
Fine Art Print
$800 -
$1,500
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James Taylor
Aug 30, 1969
Handbill
$855
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James Taylor
1970
Fine Art Print
$200 -
$300
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James Taylor
May 29, 1970
Program
$551
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James Taylor
May 29, 1970
Poster
$895
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James Taylor
Jul 11, 1970
Program
$295
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James Taylor
Aug 26, 1970
Handbill
$1,285
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James Taylor
Aug 26, 1970
Poster
$425 -
auction
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James Taylor
Aug 26, 1970
Poster
auction
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James Taylor
Jan 8, 1971
Handbill
$225
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James Taylor
Jan 8, 1971
Postcard
$485
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James Taylor
Jan 22, 1971
Program
$220
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James Taylor
Mar 25, 1971
Poster
$435
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James Taylor
Mar 28, 1971
Handbill
$125
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James Taylor
Mar 28, 1971
Poster
$315
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James Taylor
Mar 28, 1971
Poster
$325
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James Taylor
1972
Poster
$165
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James Taylor
Mar 11, 1972
Poster
$425
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James Taylor
Oct 8, 1972
Handbill
$110
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James Taylor
Oct 8, 1972
Handbill
$66
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James Taylor
Nov 23, 1972
Rolling Stone Magazine
$45
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James Taylor
Dec 29, 1977
Rolling Stone Magazine
$25
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James Taylor
Jul 24, 1979
1970s Ticket
$30
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James Taylor
Sep 6, 1979
Rolling Stone Magazine
$25
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James Taylor
Jun 11, 1981
Rolling Stone Magazine
$30
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James Taylor
Oct 13, 1981
Handbill
$28
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James Taylor
Aug 29, 1982
Poster
$42
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James Taylor
Sep 17, 1983
Poster
$48
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James Taylor
Sep 18, 1983
Poster
$19
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