Latest Entries

Michael Jackson’s Last Dance

This, of course, is not it.

Michael Jackson dancingThis Is It, the documentary of rehearsals for Michael Jackson’s never-to-be “This Is It” concerts in London, is accompanied by a single of that same name and a soundtrack CD. Sony, which paid $60M for the film, will no doubt rush out a deluxe DVD set, and there’ll be more MJ footage (there, were, after all, some 120 hours available just from the rehearsals) for months, years and ages to come.

That’s showbiz reality, and so critics have greeted this film with ramped-up cynicism, charging exploitation, poor production values, overprotection of Jackson (too few close-ups of his oft-doctored facial features; too much holding back on singing full-out), no journalistic coverage of his death and the attendant questions about drug usage; and on and on.

But This Is It is not 60 Minutes. Read More »

Between a Heart and a Hard Place

RS317-RSHusky, dusky, powerful, great voice, great guitar playin’, great camaraderie and I don’t have my flip video camera cause at the last minute I wimped out.  Got scared at the very end like the first time I skipped school.  Didn’t even skip my first class until I was a sophomore in HS…  I didn’t even leave the class to drive off with my friends and our new driver’s licenses to hit the beach and share a beer and joint.  Instead I hid in a school bathroom, standing on a toilet seat, sneaking a cigarette drag every now and then.

Another example of time travel in the 21st Century… Here was Heart, “Oh my God, look at those two women – feel that energy… those sisters, performing their asses off thirty years after first hittin’ the stage with their hard rock sound!”

I wanted to bring my new Flip HD Video camera to the gig, I was all excited about it, conjuring up the recording I would make of the show; stuffed the petite device into the bottom of my purse to hide it from the security search …and then…took it out again and left it on my desk at the office.  What if it gets confiscated?  What if I get caught?  After all, working the concert production biz; I have spent many a night with an eagle eye toward illegal cameras and recordings.

Read More »

Back to the Garden…in Golden Gate Park

I wasn’t at Woodstock in 1969, so I was looking forward to West Fest, an all-day celebration, in San Francisco’s Golden Gate Park, of the 40th anniversary of that now-mythical music festival in upstate New York.

Ben Fong-Torres' view of West Fest

Ben Fong-Torres' view of West Fest

And, now, I can say I wasn’t at West Fest either. I’d been asked to say a few words on stage and introduce an act: Terry Haggerty of the Sons of Champlin. And, I was told, I’d be sharing the mike with none other than Danny Glover. Read More »

Things That Go Rock! in the Night

Fall is upon us and All Hallows’ Eve fast approaches. In San Francisco, where Wolfgang’s Vault is headquartered, Halloween is celebrated with the ferocity of three Super Bowls plus a Mardi Gras. Costumed freaks and demons prowl every street in a moonlit festival of ghastly cheer. Such a fiendish bacchanal requires a suitable soundtrack, so we delved deep into the darkest recesses of our archives to create a uniquely haunting and rockin’ set of tunes that will help get your Halloween party shakin’ wherever you are. Take a listen to some sample tracks below…if you dare!

It may be a bit of an obvious place to start, but this track from AC/DC’s eponymous 1979 album makes it clear where the evening is headed right out of the gate. And if Hell is your destination, this particular band of hirsute Australians are undoubtedly scarier than anything Satan could conjure, making them ideal travel companions. Read More »

Cracking the Vault Day – November 3rd

Three cheers for Crackin' the VaultNovember 3rd is a big day for us here at the Vault. We have been plowing through the archives over the past few months to prepare a huge release of new downloads featuring concerts from many of your favorite bands. A number of these have been on the site for free streaming and others will be brand new additions. To give you a sense of the numbers, we currently have 389 concerts on the site that you can download. This number will increase to over 700 on the 3rd. This means more of The Grateful Dead, more Santana, more Stevie Ray Vaughan, more Miles Davis, and dozens of others. We have had requests for many of these shows over the last couple of years and we’re thrilled to make them available. Read More »

Classic Posters with Katherine Featuring Griffin’s Flying Eyeball

Welcome to a new video blog series I call Cracking the Vault, in which I’ll take you on brief tours through the archive of Wolfgang’s Vault, and give you a glimpse into our processes of learning and discovery. We’ll dig deep into the vast array of poster art, both inventoried and as-yet-unearthed, and you’ll hear stories of their creation. We’ll delve into the depths of a half a million photographic slides and negatives to discover the prizes of great never-before-seen shots. We’ll turn the pages of history within a library of rare concert programs, early rock magazines, and even early music contracts and priceless letters and telegrams between the folks who put on the shows and those performing them. Take a walk through Wolfgang’s Vault with me as we unlock a treasure trove of all things related to the live concert experience.

Katherine York, Archivist, www.wolfgangsvault.com

The British Roots of ‘Touch of Grey’

Well, just in time for all the most recent hoopla about the Grateful Dead – an upcoming exhibit at the N.Y. Historical Society; a tie-dyed light show on the Empire State Building to celebrate the event – I’ve got The Grateful Dead Scrapbook out.

It’s an exhibit on paper: GD memorabilia, artwork and other goodies that readers can fold out or remove from various pages of the book. To me, those are the stars of the book. What I added was a historical narrative about the band, some sidebars on the Dead Heads phenomenon, and spotlights on ten songs that reflect the Dead at various stages of their amazing run. Those songs were chosen with advice from long-time Dead chroniclers David Gans and Blair Jackson. In researching the stories behind the songs, I ran across a few surprises. Read More »

Origin of Song: What is a Surrealistic Pillow?

On Halloween of 1966, San Francisco’s Jefferson Airplane headed into the studio to craft a follow-up to their debut LP Jefferson Airplane Takes Off. The LP that they crafted — their first with legendary vocalist Grace Slick and drummer Spencer Dryden — would go on to be regarded as a landmark LP for both the psychedelic rock scene and the counterculture movement.

Crawdaddy!: What's a Surrealistic Pillow?

Crawdaddy!’s Denise Sullivan takes an in-depth look at “Surrealistic Pillow.” What was the story behind the album? Who were the key behind-the-scenes personalities who helped shape the disc? What did the album mean to the author? And above all, what the hell is a Surrealistic Pillow? And who came up with that name? The answer might surprise you.

Read More »

Another Grateful Dead Book? Why?

It’s not even that I’ve published another Grateful Dead book. While mine – The Grateful Dead Scrapbook – was being produced (in spring), I got an advance copy of Growing Up Dead: The Hallucinated Confessions of a Teenage Deadhead by Peter Conners.

That makes, oh, about 100 books out on the band. Which begs the question: Why? Read More »

The Best Year Ever!

Was there ever a greater year in jazz than 1959? Looking back 50 years at the prolific and profound output of that special year, it gives one pause. How could so much genius bubble up at one time? Was it some kind of magical harmonic convergence that made that particular year so spectacular? Did all the major jazz musicians at the time (Miles, Mingus, Monk, Ornette, Trane, Brubeck, et al) get a visit from the Good Fairy that year? Consider this amazing output of recordings in 1959: Miles Davis’ monumental Kind of Blue, John Coltrane’s groundbreaking Giant Steps, Ornette Coleman’s prophetic The Shape of Jazz To Come, Dave Brubeck’s inventive Time Out, Charles Mingus’ stunning Mingus Ah Um, the Modern Jazz Quartet’s gorgeous Odds Against Tomorrow, Thelonious Monk’s famous The Thelonious Monk Orchestra at Town Hall, Horace Silver’s Blowing the Blues Away.

Some of those great artists premiered that timeless material at the 1959 Newport Jazz Festival. We at Wolfgang’s Vault are fortunate to have tapes of several concerts performed during that pivotal fifth year of George Wein’s annual bash at Freebody Park in Rhode Island, including thrilling sets turned in by the orchestras of Count Basie, Duke Ellington, Maynard Ferguson and Stan Kenton. We have a fiery Fourth of July concert by hard bop icon Art Blakey with his classic Jazz Messengers lineup of Lee Morgan on trumpet, Wayne Shorter on tenor sax, Bobby Timmons on piano and Jymie Merritt on bass. We have George Shearing premiering a 15-piece orchestra as well as brilliant sets by the Horace Silver Quintet, Erroll Garner Trio, Dizzy Gillespie Quintet, the Oscar Peterson Trio and the Ahmad Jamal Trio (riding high on the success of “Poinciana” from their hugely successful live album of the previous year, But Not for Me: Live at Pershing Lounge). We’ve also got a rare set by Monk with an unusual rhythm tandem of bassist Sam Jones and drummer Art Taylor, a scintillating concert by vocalese pioneers Lambert, Hendricks & Ross and another led by the charismatic Swing Era drumming legend Gene Krupa. And last but not least, there’s a smoking set by the undisputed heavyweight champion of the Hammond B-3 organ, Jimmy Smith. It’s all coming to you in mid November, available for streaming and downloads at www.wolfgangsvault.com.

Wolfgang's Vault